Close your eyes and try and imagine the
sound of a gay man’s voice. Think you
have it? I’m guessing you can hear an
over-excitable, perhaps nasal, high-pitched voice with a lisp. Where did this voice come from and why does
it ‘sound gay’. Gay filmmaker David Thorpe is on a mission to find
out how he got the voice that he does and why it has such a stigma around it,
from both inside and outside of the gay community.
A UK film blog that reviews new cinema releases with other features. We focus mainly on independent films and documentaries...
Wednesday, March 25, 2015
BFI Flare 2015: Dressed as a Girl
“The guide to
survival is you have to set yourself some rules”. And those rules apparently are to be as
outrageous, glamorous and fabulous as possible.
In nightclubs
across the East End of London throughout the last decade, a collection of
raucous drag performers where beginning to develop a fiercely loyal following
that would push them towards the mainstream.
Dressed like a Girl is
narrated by the ‘ringleader’ Jonny Woo,
who poetically leads us through the rises and (minor) falls of the alternative
drag scene as they get more and more attention from the elite fashion, theatre
and clubbing communities.
Monday, March 23, 2015
BFI Flare 2015: Vivant! (Alive!)
Which is inherently scarier? An external
shock to the body – such as a parachute jump; or an internal shock to the body
– such as a virus. What about if you
combined the two? Vivant! is a tender look at 5 HIV+ men who spend a week camping
together at a converted airbase as they prepare for their first solo sky
dive. They must learn how to jump and
how to fall, and at the same time get to know each other and how each has
adapted to the illness.
Good documentaries are all about empathy
and insight and Vivant! offers a
purely observational viewpoint of 5 gay men who live with HIV talking about the
impact it has on their lives. Director Vincent Boujon and the
filmmakers do not interject and ask questions and there are no ‘talking heads’
interviews, the camera just collects their discussions as they sit round the
campsite and talk – sometimes for up to 10 minute sequences.
Labels:
AIDS,
Alive!,
BFI Flare,
Documentary,
HIV,
LGBT,
Vincent Boujon,
Vivant!
Saturday, March 21, 2015
BFI Flare 2015: Appropriate Behaviour
Shirin (Desiree Akhavan - also Writer/Director) is an outspoken
twenty-something Brooklynite trying to please her Persian parents, from whom
she is hiding her bisexuality, whilst trying to find meaningful employment
after a break-up from her domineering, but likeable, girlfriend Maxine (Rebecca Henderson). The news of her brother’s betrothal to a
prize Iranian bride forces her to reflect on her own romantic decisions as she
begins to unsuccessfully date a collection of ill-matched men and women around
the city.
Friday, March 20, 2015
BFI Flare 2015: Praia do Futuro (Futuro Beach)
Futuro
Beach bursts into life
as two men, Heiko and Konrad, ride their motorbikes over beach sand dunes to
the orgasmic repetitive pump of Suicide’s
1977 classic Ghostrider (which has frankly never sounded so good…)
After running into the sea they quickly get dragged out of their depth and
Heiko (Fred Lima) is seen being
pulled underneath as Konrad (Clemens
Schick) is saved by a local lifeguard Donata (Wagner Moura).
After Donata has to break the news to
Konrad in the hospital, he gives him a lift home that ends up with them having
intense sex in Donata’s car leading to a relationship that takes them through
clubs, beaches and eventually back to Konrad’s native Berlin. The only problem is that Konrad is leaving
behind his partner and Donata is leaving behind his little brother Aryton,
which causes some conflict that eventually leads to them having trouble in
their new life in Europe…
Labels:
Berlin,
BFI Flare,
Brazil,
Clemens Schick,
Futuro Beach,
Gay,
LGBT,
Wagner Moura
Thursday, March 19, 2015
BFI Flare 2015: I Am Michael
I
Am Michael jumps
chronologically around the ten years between Michael Glatze (James Franco) being a prominent gay
activist and queer magazine editor in San Francisco and Canada and him becoming
an evangelical, anti-homosexual Christian preacher in Wyoming. A kind of going-back-in-the-closet true story
that both delighted the Christian community and horrified the gay community
around 10 years ago.
At first Michael is shown picking-up
guys in nightclubs and taking ecstasy with his boyfriend Bennett (Zachary Qunito), before being somewhat
radicalized by news of the tragic death of Matthew
Shepard. They eventually move to Canada due to Bennett
getting a job, where they also meet Tyler (Charlie
Carver) – a young gay radical that joins them as they live as a
threesome. The lovers decide to go on a
road trip around the West Coast to lecture about LGBT rights and make a
documentary about young teenagers telling their stories, where increasingly
Michael complains about having heart palpitations and insists on getting advice
from lots of medical professionals.
After finally getting the all-clear, he starts to attribute his recovery
to a higher power and makes moves to get in touch with different religions and
clear his head (and remove his homosexuality).
Tuesday, March 17, 2015
Film Review: It Follows (2015)
When Jay (Maika Monroe) decides to have sex with her strange-acting new
friend Hugh, he uses the opportunity to violently reveal that she has now been
cursed by a dangerous demon that will follow her until she can pass it on by
sleeping with someone else. She, her two
sisters Yara (Olivia Luccardi) and
Kelly (Lili Sepe) and long-term
friendly neighbor Paul, (Keir Gilchrist)
all initially think that this is a cruel abusive joke so try to confront Hugh
about it, yet Jay begins to be haunted by disturbing figures slowly approaching
her that others cannot see. This leads
to the friends all trying to figure out a way to ‘cure’ Jay of her curse, that
ultimately leads to tensions between the friendly men in her life who want to
help her…
The premise is so simple, and feeds into
such a pervasive fear among teenagers and young people (fear of sex / fear of
sexually transmitted diseases), that the difficult ‘horror’ work of the film is
instilled very early on without actually having to provide many twists or
scares. The very idea that casual sex
can be deadly goes against every urge in teenager’s minds and is therefore a
brilliantly uncomfortable theme to play out in such detail for 100 minutes…
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