When Benny (Matthew Frias) and Christopher (Edmund Donavon) meet playing a friendly game of football during
downtime at college, they quickly fall for each other and start dating. Yet as their college finals approach and they
prepare for a spring break trip to Florida, a secret from their past involving
an interaction between their families creates a seemingly insurmountable wedge
between them…
A UK film blog that reviews new cinema releases with other features. We focus mainly on independent films and documentaries...
Friday, March 18, 2016
Thursday, March 17, 2016
BFI Flare 30: Who's Gonna Love Me Now? (2016)
When Saar moved from Israel to London 17
years ago to escape his religious families disapproval of his gay identity, he
quickly found love in a stable relationship with the man of his dreams. Yet as this relationship suddenly broke, he
moved into the ‘scene’ and dated a new guy more into hard drugs, money scams
and parties. One day his new man arrived
at his door with the ultimate bad omen – an HIV diagnosis.
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| Saar with the LGMC |
Saar then found the London Gay Men’s
Chorus, a place where he could share his story and be accepted as an insider
instead of the foreigner running from his orthodox family and native Jewish
culture. His family feature heavily –
both parents come to visit him in London, as well as Saar travelling to his
“home” – and clearly love him, but are disgusted and fearful at his ‘choice of
lifestyle’ and ‘dangerous disease’.
Monday, February 22, 2016
Film Review: Bridge of Spies (2015)
In 1957 Brooklyn, New York, reclusive
amateur painter Rudolph Abel (Mark
Rylance) is sat in jail accused of being a soviet informant after having
his home raided by the FBI. After
refusing to put up a fight, he awaits his trial and is introduced to successful
law partner James B. Donavon (Tom Hanks),
who has reluctantly taken his case.
The prosecutors, his law-firm partners,
the public and even the judge all want Donavon to lose the case, yet after the
inevitable guilty verdict, his strong belief in fair representation and the
constitution convince him to appeal the conviction and spare Abel the electric
chair.
Meanwhile, Francis Gary Powers an
American pilot is shot down over the Soviet Union during a secret U-2 spy
mission at the same time as an American economics student finds himself on the
wrong side of the newly erected Berlin Wall.
Donavon has shrewdly predicted this eventuality and begins to negotiate
a prisoner of war swap between the two super-powers.
Wednesday, February 10, 2016
Film Review: The Hateful Eight (2016)
Some time after the end of the Civil
War, John “The Hangman” Ruth (Kurt
Russell) and his stagecoach driver O.B. are travelling to the town of Red
Rock, Wyoming with Ruth’s latest bounty: the notorious fugitive Daisy Domergue
(Jennifer Jason Leigh). A couple of
fortuitous happenstances and a roaring blizzard quickly ensure that the ride
becomes a lot cosier due to fellow bounty hunter, Major Marquis Warren (Samuel L. Jackson), and supposed new
Red Rock sheriff Chris Mannix (Walton
Goggins) hitching a ride.
The fierce weather prohibits them for
reaching their destination overnight, so they decide to stop at Minnie’s
Haberdashery for respite and warm stew. Yet
already in residence at the small lodge are the enigmatic cowboy Joe Cage (Michael Madsen), elderly Confederate
general Sanford Smithers (Bruce Dern)
and the new Red Rock hangman Oswaldo Mobray (Tim Roth).
What follows is an inevitably
Tarantinoesque pressure cooker of narcissists, paranoiacs and sociopaths having
to spend time in a room together slowly discovering the motivations and
machinations that will build to a bloody climax…
Labels:
2016,
Alejandro G. Iñárritu,
America,
Bruce Dern,
Django,
Jennifer Jason Leigh,
Kurt Russell,
Michael Masden,
Quentin Tarantino,
Racism,
Samuel L. Jackson,
The Hateful Eight,
The Revenant,
Tim Roth
Tuesday, February 9, 2016
Film Review: Mad Max. Fury Road (2015)
Nuclear holocausts have been a staple of
discouraging cinema for decades, yet somehow they just seem so… fun. The thought experiment of what would arise
from the ashes of Mutually Assured Destruction has preoccupied filmmakers since
only a few years after Hiroshima and Nagasaki, and yet the apocalypticaphilia
continues to perpetually reinvent itself.
More of an alternate reality offshoot
than a sequel, Mad Max: Fury Road reinvents
the franchise with Max (Tom Hardy)
being captured by the War Boys – the neo-steam punk army of local tyrant
Immortan Joe (Hugh Keays-Byrne) –
and taken back to The Citadel to be used as a “blood bag” for the sickly driver
Nix (Nicholas Hoult).
Meanwhile, loyal lieutenant Furiosa (Charlize Theron) has re-routed a routine gasoline
mission in the armored War-Rig, into becoming a maverick escape for Joe’s five
specially selected breeding ‘wives’. On
hearing of the betrayal, Joe sends the War Boys – including Max strapped to his
Nux’s car for blood transfusion – after the truck and his prized childbearing
wives.
Tuesday, January 26, 2016
Film Review: The Martian (2015)
After a team of scientists and
explorers, led by commander Lewis (Jessica
Chastain), are hit by an unexpectedly large storm on the surface of Mars,
they must stage an emergency evacuation.
Yet on the way to the module, botanist Mark Watney (Matt Damon) is hit by a communication antenna and left behind
presumed dead. He then quickly has to
figure out a way to survive for multiple years for a rescue mission in a
habitat designed to last for 30 days and “science the shit out of” his
terrifying dilemma.
There’s an old philosophical thought
experiment about five passengers riding an out-of-control tram on a rail line
approaching a cliff next to a track-switch with a second line with a sleeping
man laying on it. Should you pull the
lever and save the five even if it means killing the one? What is the ethical price of a human
life? The Martian is an extended meditation on that very question, with a
whole harmony of other themes of solitude, determination and survival.
Film Review: Brooklyn (2015)
In 1952 Enniscorthy in southeastern Ireland, young Eilis Lacey (Saoirse
Ronan) works weekends at a small corner shop run by the nasty and spiteful
evangelical Miss Kelly (Bríd Brennan). Hating her job, yet finding no better, she
agrees to a new life in New York City set up by her sister Rose and émigré
Father Flood (Jim Broadbent).
After making the uncomfortable journey
across the Atlantic, with the help of her more experienced bunkmate, Eilis ends
up in an Irish boarding house in Brooklyn under the watchful eye of her
landlady Mrs Kehoe (Julie Walters)
and protective, yet intimidating, fellow Irish immigrant residents. She gets a job at a department store, yet
fails to impress her supervisor Miss Fortini (Jessica Paré) and her homesickness only begins to subside when she
meets a local Italian-American called Tony…
Monday, January 25, 2016
Film Review: The Big Short (2016)
As you will all no doubt remember, in
2007 the financial world had a little bit of a cataclysmic meltdown due to the
reckless behavior of some money men on Wall Street. A lot of white men in suits had created some
difficult financial mechanisms that included hundreds of thousands of
mortgages, which could be traded and repackaged and traded and repackaged and
traded and repackaged…and as long as the house prices kept going up, everyone
was happy.
Yet in 2005, an outsider hedge
fund-manager and blogger called Michael Burry (Christian Bale) discovers that a huge amount of these mortgages are
at risk of default (or ‘subprime’), and are in fact likely to lead to a massive
reversal in fortune for the investment banks.
This idea resonates with a number of other maverick financiers, such as
the exasperated Mark Baum (Steve Carrell)
and shady trader Jared Vennett (Ryan
Gosling), who were willing to bet big against the housing market: The Big Short.
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